book-reviews

  • Jen Schneider’s On (Pantry) Stock & (Kitchen) Timers is a unique collection of a stream-of-consciousness essays and poems that you wouldn’t think would work but does in an enchanting, eye-catching, made-you-look kind of way. Schneider’s words are a collage of thought that walks readers through a maze of sensation/emotion/confusion/questing. This collection deserves a re-read to…

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  • Foreign Fruit by Katie Goh is an outstanding book. I was expecting a microhistory about oranges, or citrus fruit as a whole; I was not expecting an incredibly well-researched social history about culture, society, belonging, searching for one’s place in the world, biases, acceptance, food cultivation, and environmentalism (among other topics). Goh’s book takes readers…

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  • Murder Ballads by Katy Horan is a treat for fans of Dark Folklore and Gothic themes (that’s a gruesome way to begin a review, isn’t it?). I was already familiar with “The Death of Queen Jane” and “The Twa Swans” thanks to Loreena McKennitt. Horan included a list of recordings, so readers can immerse themselves…

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  • Chelsea Steinauer-Scudder’s beautiful book Mother, Creature, Kin brings to mind the essays of Barbara Kingsolver and Rebecca Solnit, and Diane Ackerman’s A Natural History of the Senses. Steinauer-Scudder explores such topics as climate change, motherhood, seeking (and finding) one’s center as well as one’s place in the world. She asks her readers to consider their…

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  • Some of the poems in Alix Perry’s collection Tomatoes Beverly flow beautifully, creating scenes in the mind’s eye. Others are somewhat disjointed and difficult to follow. This may be intentional; poetry is art, interpreted differently by the creator and the reader. Perry opens with a sage reminder for their readers: “Things I should know by…

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  • “unconditional love lets you cry flowers” ~Brianna Pastor Brianna Pastor’s collection “Good Grief” is a jewel of a book. Her poems are deeply personal, but resonate with her readers, creating a sense of camaraderie, letting people know that while their pain is unique to them, they are not alone. Someone else has felt what you…

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  • This read very much like a writer telling a story based on true events. The prose poems were thoughtfully written and had beautiful descriptive wording, but the overall feel of the book was somewhat contrived.

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  • In Permission, memoirist Elissa Altman asks “Who has the right to tell a family’s story? Who “owns” a family’s history? Do we need permission to tell our story?” Altman says, “The writing of memoir is often fraught; our friends, colleagues, families, entire cultures turn writers into pariahs for what we create, for who we are,…

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  • Muffin Wallopers!

    My sister and I are proud Muffin Wallopers and set aside time every Sunday to engage in pursuits associated with this title. “What is a Muffin Walloper?” you ask. Allow me to enlighten you. Per WordGenius.com, “A “muffin-walloper” is an unmarried woman who gathers with friends to gossip. In the Victorian era, these conversations often…

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  • This was an epic of an adventure taking readers to the days of Britain’s legends. The Wild Hunt rides, kings and princes jockey for power, and queens play politics like a chess game. Lucy Holland’s writing is fantastic; her world-building is authentic, it is clear that she conducted a great deal of research in order…

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