I have done SO much reading the last couple weeks, and I LOVE it. This week has the potential for more reading as I am home recovering from minor surgery and have no agenda apart from reading and sleeping. It’s going to be a great week.
Practically all of the books I have finished lately were NertGalley ARCs, THANK YOU NetGalley and all of the publishing houses for giving me this opportunity. I have read books in genres I don’t normally read (i.e. True Crime) and have learned so much. I love doing this kind of stuff. I have a lot to share, so without further ado…
Poppy State by Myriam Gurba: (3 stars) I found this book to be very meandering. Gurba ultimately brings her wandering stream-of-consciousness thoughts full circle, but this book reads like a maze of ideas. While Gurba’s writing is very good, parts of this book felt like they didn’t quite fit the narrative she was presenting, almost as they were written as afterthoughts. The style overall reminded me of Maria Popova’s book “Figuring,” exploring different people and times to support the main focus of the book (Maria Mitchell for Popova, Gurba herself for this book). I won’t say that I did not like this book, but I feel that it is one that needs revisiting so a reader can fully appreciate all that Gurba is saying, and understand what she doesn’t say in text, but alludes to.
They Will Tell You the World is Yours by Anna Mitchael: (5 stars) “Why do we seek? Why has the world convinced us that a better version of ourselves is waiting to be found? Why should we think anything “out there” is better than the spirit we have lying in wait, in our own heart?” -Anna Mitchael I absolutely loved this book. It feels like Mitchael wrote this book to speak to me directly, holding my hand as we walked through every stage of a woman’s life from birth to girlhood to adulthood, weathering heartbreak and celebrating success, hurting, healing, laughing, loving, and longing every step of the way. In these pages Mitchael feels like the friend you have known all your life, is someone you have shared secrets with and have spent countless hours talking to, drinking gallons of tea over dozens of years, that one person that truly knows you because she shares the same sentiments, dreams, and fears: “They will not tell you the important things can be measured, but you will figure it out soon enough.” You learn to question your worth by how well you perform in relation to others. And when you do succeed, you are reminded that you still haven’t done enough: “They will say what’s good can always be made better.” One day, though, Mitchael reminds her readers, you will realize you are worthy, you will stand up and proclaim your worth to others: “The choice is clear, it has always been clear–their way or the highway. […] you thank them for their time and start moving toward the door, willing yourself to keep walking so you won’t be tempted to turn and take the title […] when your boss says ‘…we will find money for the raise, too’.” Mitchael reminds us to relish small joys: making pancakes for a friend, celebrating our birthday in our own way, a perfectly chilled glass of white wine, the warmth of your partner’s hand in yours. “They Will Tell You the World is Yours” is a beautiful book, one I will return to again and again. There is so much to be found in it, and it encourages us to pay attention to the details in our own lives that we may miss.
Bookends of Life by Sonja Koch & Dalys Finzgar: (1 star) This volume reads like a children’s book; each poem is made up of short little rhymes that feel very juvenile to me. I do not know what the focus group for this book is. If it is adolescents beginning an exploration of the Pagan or Wiccan path it may be a good introduction. For adults, it is too childish and saccharine.
In a Riptide by Ronna Bloom: (3 stars) “I thought of the four people the Buddha met in his travels sick person, old person, dead person, happy person with nothing. And I felt like all of them.” –Ronna Bloom
This brief volume is a moving exploration of the emotions we experience and encounter as we move through our days. I feel that the author may have experienced a great deal of grief and writing this was part of her healing process. My favorite poem of this collection “One Night” reminds us that change is inevitable: “In one minute, I slept a whole night./ In one night, I slept a whole minute./ The world changed completely/ while I was gone.” She crafts such beautiful lines: “[…] you could be a lesson or a letter/ or an orphaned joy carried on the wind;” and “[…] the birds are flying through me/ in their beautiful green and blue birdsmaids’ dresses/ singing our song.” One line in particular has stayed with me, and I will probably pin it to my vision board: “I need to write closer to the truth, not the wished-for truth.” I have not read any of Ronna Bloom’s other books; I see on Goodreads that she has several others. Bloom is a writer I will be seeking out to learn from, both as a writer and as a student of the world. Until then, I will “unperson,” and perhaps find peace with myself.
Vellum Leaves and Lettered Skins by Colleen Anderson: (5 stars) I absolutely love this book. Colleen Anderson has woven a tapestry of greed, love, longing, desire, despair, and magic. We are held captive in the tower with Rapunzel breathing in air dusty with books and fragrant with bouquets of appeasement. Anderson uses Rapunzel’s tower as an allegory for depression and the confines sufferers of this illness experience. All her life Rapunzel longs to break free from the tower, to escape and feel the fullness of a life lived free and discover who she is. “What am I when I stop growing,” she wonders; “will she cultivate a golden treasure/ consume my songs and aspirations/ or see me as an unsightly weed?” If Rapunzel can’t see herself as a whole person, will anyone? “My feet are nothing/ but stone, sediment,” Rapunzel says. She is frozen, fixed in place within the prison of the tower. My favorite poems in the collection are “Gorgon” and “Sedna,” modelled on two mythical women ill-used by man but refusing to be victims. Their anger fuels their power, punishing sinners in their wake. “Forgotten Language” reads like an enchantment being cast: “[…] mouse beetle butterfly bee/ learn to speak in ancient tongues/ scribe the language with stone and nail/ […] we breed in wild green, flowers/ seeds, live free, move mostly unseen/ winds serenade, leaf litter/ trees, hives hold our homes/ […] we speak with you/ a shade to the outside world/ you might never be free/ but we will listen/ to your plea” The witch’s words in “Let Me” build walls within the tower’s walls: “I will bring you bouquets, a feast for your eyes/ […] I cherish you too much/ […] I will bring you a cornucopia of fruit, colors, flavors: you will never want.” Except for her freedom. When Rapunzel is finally free of the tower, she is still lost, struggling to survive: “My way was lost/ before I ever found it […] I’m a leaf adrift on the wind/ will I stay afloat or drown/ spiraling beyond reach” After much trial and suffering, Rapunzel finds solace in the familiar, wondering if everything she lived through was worth it. “The wheel turns,” she realizes, “as I stand still.” It is not easy to escape the tower. As someone living with major depressive disorder, I recognize the struggle to find fulfillment, to realize I have escaped the tower, only to find myself enclosed once more. In her Dedication of this book, Colleen Anderson states “Those who are stuck in the towers of isolation cannot always reach out.” Often, we don’t even recognize we are held captive. However, like Rapunzel, we must find the strength to keep going. Colleen Anderson has written a brilliant, beautiful, painful book that should be cherished by everyone who reads it.
When the Night Agrees to Speak to Me by Ananda Devi, Kazim Ali (Translator): (4 stars) At the start I was reminded of “The Descent of Alette” by Alice Notley. The use of language, painting surreal vignettes of haunting images is captivating and elegant. In Poem 1 we “slip down the bank/ Foggy with pleasure/ In the silver tracks/ Of trampled snails/ […] (Your) ears strain to hear/ The voices of those absent/ Until the night at last/ Agrees to speak to you.” Poem 3 reminds us of the fleeting nature of time, asking us to consider “That my tomorrow be a yesterday/ Since nothing is left to accomplish/ Nothing to build of destroy/ Nothing has already become: Never” Devi speaks of the struggle to accept oneself, flaws, anger, and all that we are made of. “The one who sowed in me/ So many doubts so much craziness/ So much struggle so much anger/ So many barricades so much innocence/ It’s me, he says/ It’s just me.” She reminds us of precious things that should never be forgotten such as soft winds, petrichor during rainfall, a kiss. Ananda Devi writes of finding the courage to free ourselves from our own limiting beliefs and that we can replace lost faith. She unflinchingly describes the suffering of those living in what the willfully ignorant consider “Paradise,” blind to the needs of its citizens. “When the Night Agrees to Speak to Me” sears your psyche. It forces readers to confront loss and acknowledge their faults. It strikes at the heart of false perception and demands that we open our eyes and our hearts and feel what it means to be alive.
A History of Women in Piracy by Roxanne Gregory: (2 stars) I found this book to be somewhat disappointing. I love reading about the golden age of piracy, and Roxanne Gregory includes plenty of information regarding the world of piracy: it’s society, customs, privateers versus pirates, and much, much more. I think a more accurate title would have been History of Piracy,” as there is more information about piracy in general than females pirates in particular. As well, the women that Gregory highlights in the text are the famous women pirates that are well-known; I had hoped there would be some new personalities to meet. Altogether, this was well-written, just not what I expected it to be about.
Briggs Dictionary of Fairies by Katharine Briggs: (4 stars) This is an absolutely charming volume, and for writers of fantasy or faerie tales a solid reference book. It’s not a collection of faerie stories, but is exactly as the title states, a dictionary (or perhaps more of an encyclopedia) of the fair folk and the legends surrounding them. I found references to children’s rhymes that I had never known were developed from British faerie stories (including one I was sure the children’s musician Raffi had written), beasties that make kelpies look friendly, and ways to both welcome and ward off the fae folk. If you are looking for a collection of stories, this is not necessarily the book you may want to read (though there are some stories within this volume). As a lover and writer of fantasy, I think this is an excellent addition to my book collection!
Temporary Beauty by Myles Katherine Coleman: (2 stars) I did not care for the style in which this book was written; the narrative goes in fits and starts, pieces seem to lack a connection. That being said, Coleman gives an honest presentation of living with crushing anxiety and panic disorder. I cannot imagine carrying such a mental weight, and yet Coleman faces each day and each challenge with a clear-eyed determination to succeed. I sincerely commend her bravery. I would like to see more from Coleman; perhaps her writing style will shine in another format.
Marie Antoinette by Melanie Burrows: (4 stars) I really enjoyed this biography of Marie Antoinette. I have read a couple other books about her, both well-written and researched, but I feel Melanie Burrows’ book gives the best impression of Marie Antoinette as a person. The woman herself comes through the text, giving readers a deep look at the queen. I felt that book gives readers the history of Marie Antoinette herself, rather than the history of France told through Marie Antoinette. Very informative and enjoyable book (if one can say such a thing about a book ending with execution…) [NKP: note the discrepancy in the Author’s name; on Goodreads and in NetGalley she is credited as Melaine Burrows]
Ode to Women by Silver Phoenix (1 star): This is categorized as poetry and verse; however it’s actually a small collection of brief stories with a handful of poems at the end. I didn’t find this to my liking; the writing style feels very juvenile to me, even in the sections titled “Love Stories and Poems for Middle-Aged Women.” I suppose an appropriate adjective to parts of this book would be “cute.” Not my style at all.
The Ballad of Innes of Skara Skaill by Faulkner Hunt; (1 star) I could not get into this book. I will admit that I do not read a great deal of fiction, mostly because I really need it to catch my attention right off the first page. Unfortunately, this book did not do so, and I was unable to focus on the story because I was uninterested in the characters and their lives. I feel there was an attempt at a mystery/adventure in this story, but it didn’t come to the fore; really as I was reading, I kept wondering when the author was going to finally get to the point.
Burn by Barbara Hamby: (3 stars) Barbara Hamby’s “Burn” is a collection of odes that discuss the ups and downs of life: its loves, losses, light moments, and times of despair. They are odes on what it means to be human, and how to be human. In “Ode of Being a Little Drunk at Parties,” she writes: “Oh, I get it, it’s hard to feel sorry for humans. We’re a hot mess,/ and by the time some of us figure it out,/ we’re playing our endgames;” and in her “Ode to Juno” she asks, “[…] how do I circumnavigate/ this ragged world, because the roads are rippling with brigands/ and fools, nymphs and satyrs playing possum,/ so where is the magic, my queen, where is the party, wine flowing/ and no one afraid of being turned into a snake?” I think my favorite poem in this collection is “Ode to My Old Kitchens.” Hamby speaks of everything I love about my own kitchen. It is a beautiful reminder that the kitchen truly is the heart of the home. I greatly enjoyed this collection, and I am interested in reading more of Barbara Hamby’s work.
I am going to finish this massive post here. I still have SEVEN more book reviews to share with you; that will come later this week. I feel I have inundated you enough for one day! Thank you for reading, and for your continuing interest in the stuff I do, it means the world to me. All images are from Goodreads, and all books were ARCs granted through NetGalley.
I have gotten VERY behind on posting reviews, both on books for my Summer Reading List (spoiler, I didn’t get to them all) and NetGalley books. This post will focus on the books I have read and reviewed for NetGalley; I’ll do another one on the Summer Reading List (mostly poetry and nonfiction. Does anyone have any tips on making oneself settle down and focus on fiction? I just can’t seem to do it anymore!)
Queen of All Mayhem by Dane Hucklebridge: 3 stars: Other than her name, and that she was an outlaw, I knew nothing of Belle Starr going into this book. The “Wild West” isn’t a subject I have spent much time on, so really, other than the names of the outlaws that made headlines and therefore history, I’m pretty ignorant of this entire piece of American history. In Queen of All Mayhem, Dane Hucklebridge brings this era to life brilliantly. is writing is engaging, his storytelling concise, though there were a couple parts where there was a great deal of exposition that perhaps could have been condensed, but it was relevant to the society in which Belle Starr lived. Hucklebridge takes his readers on Belle’s journey from a well-educated, cultured only daughter to her exploits as a Confederate spy, her rise to the title of Bandit Queen, and into what should have been her days of retirement and ease but were instead abruptly ended by an anonymous killer. Between her adventures she was a wife and mother, who longed for both the thrill of the heist and to hold her children close. Sadly, she had to send her son away to live with family for many years, and her daughter was in and out of Belle’s homes as well as family and friends’. Belle Starr is presented to readers as a multifaceted woman: intelligent, resourceful, sometimes foolhardy, loyal, always brave. She is a woman of legend, but Hucklebridge introduces readers to the woman behind the myth.
Working the Roots by Amanda Bennett: 2 stars: I am disappointed to admit that I could not really get into this book. I do like Bennett’s writing style, and her words have impact as I feel they were meant to. Poetry is a personal journey, after all. I wonder if my lack of connection to this work may be generational: I feel that I am much older than Bennett, and while some experiences of womanhood are universal, others are wildly different. I do recommend Working the Roots as I believe what Amanda Bennett has to say is of value, and I am sure that other readers will not only fully appreciate her work but see themselves in her words.
My Oceans by Christina Rivera: 2 stars: I was very much looking forward to Christina Rivera’s essay collection My Oceans. I was wondering if it might be similar in tone to Diane Ackerman’s or Elisabeth Tova Bailey’s writing. Sadly, I was disappointed. While Rivera has a wealth of knowledge to share, and has lived and worked in some incredible locations, her concerns for the environment appear to border on obsessive and are almost off-putting. Our planet is threatened; this is a fact proven by scientists. Climate change is destroying habitats and ecosystems, some may be beyond repair. The state of the planet is something everyone should be concerned about, and I do feel that everyone should do their part to preserve as many of our natural resources as possible. Thus, I and my family try to produce as little permanent waste as possible. We recycle; we reuse as much as we can. We are not perfect, and there is probably more we can do. I do wonder what kind of world my great grandchildren will inherit. I do not, however, wake up with nightmares about the micro plastics that are in my drinking water. I buy my children and grandchildren plastic brick building sets and do not flagellate myself with guilt for months after the fact. Christina Rivera is a talented writer, and her prose is well-worded. However, her anxiety absolutely leaps off the pages and takes attention away from her message. I finished her book, but it was a struggle, and felt a palpable sense of relief when I finished it. I do recommend this book, but I advise readers to step away from it every so often not because of the subject matter (though Rivera does share some truly gut-wrenching heartache and I honestly felt for her), but to just take a breather from her stress.
Groceries by Nora Claire Miller: 1 star: I expected this book to be poems reflecting on one’s relationship to the items around us, perhaps an allegory of possessiveness or capitalism, based on the synopsis. Instead I am not sure what Miller is trying to convey. I read a great deal of poetry in all its forms, so abstract or found poetry is not unusual to me. This volume is too scattered, lines begin and end abruptly without any continuity; overall, it feels messy. I have said in other reviews that poetry is a personal art. I know Miller has a message she is attempting to convey, and in her own mind she was probably successful. Readers are left floundering and frustrated.
Anthropological Study by Lauren Miller: 1 star: This book earned a one star rating from me. Lauren Miller’s poems are raw and personal, which I greatly respect. It takes a large amount of courage to put oneself on the page so honestly. I found many of the poems too disjointed; they seem to suddenly veer away into a different direction and discuss thoughts unrelated to the initial idea that was presented. Some feel as though they end too abruptly, as though Miller’s idea just stopped. Overall, I found these poems too unfocused to be enjoyable.
Unwed & Unbothered by Emma Duval: 4 stars: I thought Emma Duval’s Unwed & Unbothered was an excellent book. It’s not very long, but this small book holds a wealth of information. Duval showcases dozens of women in brief biographies, highlighting their work and accomplishments. I read a great deal of women’s history, and while I was familiar with many of the notable women she featured in her book, there were many, many others I had never heard of before. Duval’s book led me down a rabbit hole of research, and my TBR list now has an extra page of biographies. I absolutely recommend this book for anyone interested in history and women’s studies; really, I feel that everyone should read it. Too often women’s accomplishments and contributions are brushed under the rug. Emma Duval brings these women to the forefront and reminds readers that women are not silent bystanders. I feel that girls especially should read this book so they can remember that there is nothing they can’t do if they put their minds to it. I will be buying a copy of this for my seven-year-old granddaughter; I want her to always remember that she is an unstoppable force.
Between Two Rivers by Moudhy Al-Rashid: 4 stars: Between Two Rivers by Moudhy Al-Rashid is an incredible journey through centuries of Mesopotamian history. Al-Rashid offers readers a look at the beginning of recorded history, focusing on the development of writing from pictographs to written words. From inventories to laws to literature, the ancient Sumerians and later Akkadians left their mark (literally) on history. Archaeologists today are still unearthing clay tablets and ceramic seals bearing inscriptions of everything from goods exchanged to classroom writing exercises for apprentice scribes to paeons to the gods. Ancient Mesopotamia is credited with being the cradle of civilization, often because writing was developed there. I disagree with this idea as there are plenty of civilizations from history that did not have a writing system (some still existing today). I feel the combination of writing and agriculture is a stronger argument, though still not definitive. What has been proven is that the ancient people of the Middle East were the first to leave written records of their lives, and Moudhy Al-Rashid does a wonderful job of presenting these developments to readers. This book is a must-read for people interested in ancient societies (or for word nerds like me!)
Charles Dickens’ Secret Love Child by Brian Ruck: 1 star (I’d give it zero if I could): I could not get into this book. I will admit that I am not a huge Dickens fan; A Christmas Carol and A Tale of Two Cities are the only works of his that I like. The man was a master of storytelling, however, as his legacy of work and numerous fans will attest. Because of this I have read a number of books about Dickens; it is impossible to recognize the contribution he made to literature even if you don’t like his work. Brian Ruck lost me as soon as he suggested that Ellen Ternan was Dickens’ illegitimate child. Renowned Dickens scholars have all agreed and supported their research with evidence that Ternan was in fact Charles Dickens’ mistress, and that they had a child together. Ellen Ternan may have denied the relationship later in life, but letters and diaries survive confirming their relationship. Ruck uses language taken from some of Dickens’ letters to support his theory that Dickens had an affair with Ellen Ternan’s mother Frances Jarman Ternan and that Ellen was the resulting child. If anything, I think those snippets might indicate that Dickens had an affair with Frances and then years later began a relationship with her daughter. I am not a Dickens scholar, and I have no way to back up this theory; I am just reinterpreting what Ruck has interpreted himself. As well, Brian Ruck admits at the start of his book that he is not a historian or Dickens scholar, and his “proof” is very flimsy. All in all, I found this to be a biased and not well-supported study of Charles Dickens.
This was a very long post, thank you for sticking around! Some of these titles have just been published, and a few are coming out this month. Let me know if you read any of these; I would like to know your thoughts!
(This is also a book on my Summer Reading List, so you’re getting a 2 for 1 update!) David Gate’s essay and poetry collection “A Rebellion of Care” is beautiful. Gate writes from the heart, giving readers pieces of himself as he contemplates his life and loves. He reminds us that “joy is an act of rebellion/against the established order,” and urges his readers to “Make art & music/ because music & art/ are love letters to the living/ addressed to us all.” I printed his poem “Stardust” to hang over my desk to remind myself to sparkle each day, and Part 5 of his collection, titled “I Pour Out the Contents of my Notes App in an Attempt to Create Connection” is wildly creative (and I admit I want to try a similar form myself). Gate tells us that laughing with old friends is living in the truest sense. Perhaps the most profound takeaway I took from his book (besides “Stardust”) is this reminder: “You may not be responsible/ for the source of your pain/ but you are responsible/ for everywhere it goes.” As someone with childhood trauma, I want to keep this reminder close to me. I don’t want others to feel my pain and anger; I want them to sparkle as I am learning to. I urge people to read this beautiful book. It will touch your heart. You may cry, you may become angry, or you may pause in your reading to ask yourself what care you need to give yourself. Listen to what your heart says.
I absolutely loved Thanh Dinh’s “The Smallest God Who Ever Lived,” so I was very excited to read “Salt & Ashes.” Unfortunately, this book didn’t resonate with me the way “Smallest God” did. I will not say I didn’t like “Salt & Ashes,” there were some beautiful lines and truly moving thoughts. One line I have already returned to several times says “Remember that only in the aftermath of the quake,/ You can feel the Earth move”
“Salt & Ashes” tells a different story from Dinh’s other book, coming from different experiences. I believe it is a deeply personal narrative from Dinh, and I appreciate her honesty and vulnerability. She reminds readers that sometimes we have no choice but to accept what life hands us: “And there comes a time when people learn/How futile living on pure imagination can be–” The truth is often painful to hear, but if we want to fully experience our lives, we have to listen.
Hello Friends! Thank you to all of you who come back again and again to read my rambling book posts, I appreciate every one of you. This is the time of year that I post a monster list of books I plan to read over the summer, my self-appointed Summer Reading List. There are 14 weeks between Memorial Day and Labor Day, and I try to cram 30 books into them. I have fewer television distractions during this time as it’s not hockey season (wtf Bruins?!? I still love you, but seriously?), but I have grandies now, so we’ll see if I actually get all of these books completed. I have ten books selected for Fiction, Nonfiction, and Poetry. I don’t read them in any particular order; however, some of these books are ARCs from NetGalley (Thank you NetGalley!!) and do have due dates, so those will probably be at the top of the pile.
Without any further ado, NKP’s 2025 Summer Reading List (all synopses from Goodreds.com)
Fiction:
Enlightenment by Sarah Perry: Thomas Hart and Grace Macaulay have lived all their lives in the small Essex town of Aldleigh. Though separated in age by three decades, the pair are kindred spirits—torn between their commitment to religion and their desire to explore the world beyond their small Baptist community. It is two romantic relationships that will rend their friendship, and in the wake of this rupture, Thomas develops an obsession with a vanished nineteenth-century astronomer said to haunt a nearby manor, and Grace flees Aldleigh entirely for London. Over the course of twenty years, by coincidence and design, Thomas and Grace will find their lives brought back into orbit as the mystery of the vanished astronomer unfolds into a devastating tale of love and scientific pursuit. Thomas and Grace will ask themselves what it means to love and be loved, what is fixed and what is mutable, how much of our fate is predestined and written in the stars, and whether they can find their way back to each other.
Legend of Broken by Caleb Carr: Some years ago, a remarkable manuscript long rumored to exist was The Legend of Broken. It tells of a prosperous fortress city where order reigns at the point of a sword—even as scheming factions secretly vie for control of the surrounding kingdom. Meanwhile, outside the city’s granite walls, an industrious tribe of exiles known as the Bane forages for sustenance in the wilds of Davon Wood. At every turn, the lives of Broken’s defenders and its would-be destroyers Sixt Arnem, the widely respected and honorable head of the kingdom’s powerful army, grapples with his conscience and newfound responsibilities amid rumors of impending war. Lord Baster-kin, master of the Merchants’ Council, struggles to maintain the magnificence of his kingdom even as he pursues vainglorious dreams of power. And Keera, a gifted female tracker of the Bane tribe, embarks on a perilous journey to save her people, enlisting the aid of the notorious and brilliant philosopher Caliphestros. Together, they hope to exact a ruinous revenge on Broken, ushering in a day of reckoning when the mighty walls will be breached forever in a triumph of science over superstition.
The Cemetery of Untold Stories by Julia Alvarez: Alma Cruz has decided to end her writing career, but she fears she’ll end up like her friend, a successful novelist driven to madness by a book she never finished writing. So when she inherits a modest plot of land in the Dominican Republic, she decides to bury her dozens of unfinished manuscripts there. She wants them to rest in peace in the same land where her roots are. But unlike Alma, the protagonists of her stories still have plenty to say, and they find in Filomena, the reserved caretaker of the cemetery, an empathetic and attentive interlocutor. By sharing their stories, Bienvenida, the forgotten ex-wife of dictator Rafael Trujillo; Manuel Cruz, a doctor exiled during the regime, and Filomena herself will turn the cemetery into a magical place, a sanctuary where those who have been silenced will find the meaning they yearn for in the imperishable vitality of the untold stories.
After Alice by Gregory Maguire: When Alice toppled down the rabbit-hole 150 years ago, she found a Wonderland as rife with inconsistent rules and abrasive egos as the world she left behind. But what of that world? How did 1860s Oxford react to Alice’s disappearance? In this brilliant new work of fiction, Gregory Maguire turns his dazzling imagination to the question of underworlds, undergrounds, underpinnings — and understandings old and new, offering an inventive spin on Carroll’s enduring tale. Ada, a friend of Alice’s mentioned briefly in Alice’s Adventures in Wonderland, is off to visit her friend, but arrives a moment too late — and tumbles down the rabbit hole herself. Ada brings to Wonderland her own imperfect apprehension of cause and effect as she embarks on an odyssey to find Alice and see her safely home from this surreal world below the world. If Euridyce can ever be returned to the arms of Orpheus, or Lazarus can be raised from the tomb, perhaps Alice can be returned to life. Either way, everything that happens next is After Alice.
Birds of Paradise by Oliver Langmead: Many millennia after the fall of Eden, Adam, the first man in creation, still walks the Earth – exhausted by the endless death and destruction, he is a shadow of his former hope and glory. And he is not the only one. The Garden was deconstructed, its pieces scattered across the world and its inhabitants condemned to live out immortal lives, hiding in plain sight from generations of mankind. But now pieces of the Garden are turning up on the Earth. After centuries of loneliness, Adam, haunted by the golden time at the beginning of Creation, is determined to save the pieces of his long lost home. With the help of Eden’s undying exiles, he must stop Eden becoming the plaything of mankind. Adam journeys across America and the British Isles with Magpie, Owl, and other animals, gathering the scattered pieces of Paradise. As the country floods once more, Adam must risk it all to rescue his friends and his home – because rebuilding the Garden might be the key to rebuilding his life.
Jane & Edward by Melodie Edwards: A former foster kid, Jane has led a solitary life as a waitress in the suburbs, working hard to get by. Tired of years of barely scraping together a living, Jane takes classes to become a legal assistant and shortly after graduating accepts a job offer at a distinguished law firm in downtown Toronto. Everyone at the firm thinks she is destined for failure because her boss is the notoriously difficult Edward Rosen, the majority stakeholder of Rosen, Haythe & Thornfield LLP. But Jane has known far worse trials and refuses to back down when economic freedom is so close at hand. Edward has never been able to keep an assistant–he’s too loud, too messy, too ill-tempered. There’s something about the quietly competent, delightfully sharp-witted Jane that intrigues him though. As their orbits overlap, their feelings begin to develop–first comes fondness and then something more. But when Edward’s secrets put Jane’s independence in jeopardy, she must face long-ignored ghosts from her past and decide if opening her heart is a risk worth taking.
The Robber Bride by Margaret Atwood: Margaret Atwood’s The Robber Bride is inspired by “The Robber Bridegroom,” a wonderfully grisly tale from the Brothers Grimm in which an evil groom lures three maidens into his lair and devours them, one by one. But in her version, Atwood brilliantly recasts the monster as Zenia, a villainess of demonic proportions, and sets her loose in the lives of three friends, Tony, Charis, and Roz. All three “have lost men, spirit, money, and time to their old college acquaintance, Zenia. At various times, and in various emotional disguises, Zenia has insinuated her way into their lives and practically demolished them. To Tony, who almost lost her husband and jeopardized her academic career, Zenia is ‘a lurking enemy commando.’ To Roz, who did lose her husband and almost her magazine, Zenia is ‘a cold and treacherous bitch.’ To Charis, who lost a boyfriend, quarts of vegetable juice and some pet chickens, Zenia is a kind of zombie, maybe ‘soulless'” (Lorrie Moore, New York Times Book Review). In love and war, illusion and deceit, Zenia’s subterranean malevolence takes us deep into her enemies’ pasts.
If It Bleeds by Stephen King: A collection of four uniquely wonderful long stories, including a stand-alone sequel to The Outsider. News people have a saying: ‘If it bleeds, it leads’. And a bomb at Albert Macready Middle School is guaranteed to lead any bulletin. Holly Gibney of the Finders Keepers detective agency is working on the case of a missing dog – and on her own need to be more assertive – when she sees the footage on TV. But when she tunes in again, to the late-night report, she realizes there is something not quite right about the correspondent who was first on the scene. So begins ‘If It Bleeds’ , a stand-alone sequel to The Outsider featuring the incomparable Holly on her first solo case. Dancing alongside are three more long stories – ‘Mr Harrigan’s Phone’, ‘The Life of Chuck’ and ‘Rat’ .
Comfort Me with Apples by Catherynne Valente: Sophia was made for him. Her perfect husband. She can feel it in her bones. He is perfect. Their home together in Arcadia Gardens is perfect. Everything is perfect. It’s just that he’s away so much. So often. He works so hard. She misses him. And he misses her. He says he does, so it must be true. He is the perfect husband and everything is perfect. But sometimes Sophia wonders about things. Strange things. Dark things. The look on her husband’s face when he comes back from a long business trip. The questions he will not answer. The locked basement she is never allowed to enter. And whenever she asks the neighbors, they can’t quite meet her gaze… But everything is perfect. Isn’t it?
Moll Flanders by Daniel Defoe: Moll Flanders is born to a mother who has been convicted of a felony and who is transported to America soon after her birth. As an infant, Moll lives on public charity, under the care of a kind widow who teaches her manners and needlework. She grows into a beautiful teenager and is seduced at an early age. Abandoned by her first lover, she is compelled to marry his younger brother. He dies after a few years, and she marries a draper who soon flees the country as a fugitive from the law. She marries yet again and moves to America, only to find out that her husband is actually her half-brother. She leaves him in disgust and returns to England, where she becomes the mistress of a man whose wife has gone insane. He renounces his affair with Moll after a religious experience.
Nonfiction:
Clodia of Rome: Champion of the Republic by Douglas Boin: A pioneering political voice, with charisma and power that rivaled many of her male contemporaries, Clodia of Rome was a pivotal figure in the late Roman Republic until a murder trial, rife with corruption, catalyzed her fall from grace. Taking readers inside the courtroom to follow the trial and Clodia’s family’s tumultuous political history, Douglas Boin brings a modern perspective to a long-buried story, full of juicy details and fascinating anecdotes. With countless examples of the surprising roles that Roman women played, followed by the attempts of powerful men to erase their stories, Boin challenges the male-dominated narrative of classical antiquity. Clodia of Rome offers a new understanding of the radical modernity of first-century Rome—one that mirrors our own in its volatile conflicts between forces of change and those of reaction. (NetGalley ARC)
Rachel Carson: Witness for Nature by Linda Lear: Rachel Carson’s Silent Spring, published in 1962, did more than any other single publication to alert the world to the hazards of environmental poisoning and to inspire a powerful social movement that would alter the course of American history. This definitive, long-overdue biography shows how Carson, already a famous nature writer, became a reluctant reformer. It is a compelling portrait of the determined woman behind the publicly shy but brilliant scientist and writer.
My Favorite Plant: Writers and Gardeners on the Plants They Love by Jamaica Kincaid: The passion for gardening and the passion for words come together in this inspired anthology, a collection of essays on topics as diverse as beans and roses, by writers who garden and by gardeners who write. Among the contributors are Christopher Lloyd, on poppies; Marina Warner, who remembers the Guinée rose; and Henri Cole, who offers poems on the bearded iris and on peonies. There is also an explanation of the sexiness of castor beans from Michael Pollan and an essay from Maxine Kumin on how, as Henry David Thoreau put it, one “[makes] the earth say beans instead of grass.” Most of the essays are new in print, but Colette, Katharine S. White, D. H. Lawrence, and several other old favorites make appearances. Jamaica Kincaid, the much-admired writer and a passionate gardener herself, rounds up this diverse crew. A wonderful gift for green thumbs, My Favorite Plant is a happy collection of fresh takes on old friends.
Trapped Under the Sea: One Engineering Marvel, Five Men, and a Disaster Ten Miles Into the Darkness by Neil Swidey: In the 1990s, Boston built a sophisticated waste treatment plant on Deer Island that was poised to show the country how to deal with environmental catastrophe. The city had been dumping barely treated sewage into its harbor, coating the seafloor with a layer of “black mayonnaise.” Fisheries collapsed, wildlife fled, and locals referred to floating tampon applicators as “beach whistles.” But before the plant could start operating, a team of divers had to make a perilous journey to the end of a 10-mile tunnel-devoid of light and air-to complete the construction. Five went in; two never came out. Drawing on hundreds of interviews and thousands of documents, award-winning reporter Neil Swidey re-creates the tragedy and its aftermath in an action-packed narrative. The climax comes when the hard-partying DJ Gillis and his friend Billy Juse trade jobs at a pivotal moment in the mission, sentencing one diver to death and the other to a trauma-induced heroin addiction that eventually lands him in prison. Trapped Under the Sea reminds us that behind every bridge, highway, dam, and tunnel-behind the infrastructure that makes modern life possible-lies unsung bravery and extraordinary sacrifice.
Eve: How the Female Body Drove 200 Million Years of Human Evolution by Cat Bohannon: How did the female body drive 200 million years of human evolution? • Why do women live longer than men? • Why are women more likely to get Alzheimer’s? • Why do girls score better at every academic subject than boys until puberty, when suddenly their scores plummet? • Is sexism useful for evolution? • And why, seriously why, do women have to sweat through our sheets every night when we hit menopause?
These questions are producing some truly exciting science—and in Eve, with boundless curiosity and sharp wit, Cat Bohannon covers the past 200 million years to explain the specific science behind the development of the female sex: “We need a kind of user’s manual for the female mammal. A no-nonsense, hard-hitting, seriously researched (but readable) account of what we are. How female bodies evolved, how they work, what it really means to biologically be a woman. Something that would rewrite the story of womanhood. This book is that story. We have to put the female body in the picture. If we don’t, it’s not just feminism that’s compromised. Modern medicine, neurobiology, paleoanthropology, even evolutionary biology all take a hit when we ignore the fact that half of us have breasts. So it’s time we talk about breasts. Breasts, and blood, and fat, and vaginas, and wombs—all of it. How they came to be and how we live with them now, no matter how weird or hilarious the truth is.”
The Bluestockings: A History of the First Women’s Movement by Susannah Gibson: An illuminating group portrait of the eighteenth-century women who dared to imagine an active life of the mind and spirit for themselves. In eighteenth-century England, a woman who was an intellectual, read constantly, or wrote professionally was considered unnatural. But the Bluestockings did something coming together in glittering salons to discuss and debate as intellectual equals with men, they fought for women to be educated and to have a public role in society. They questioned the traditional womanly roles of wife, mother, and caregiver. In this intimate and revelatory history, Susannah Gibson delves into the extraordinary lives of these pioneering women, from Elizabeth Montagu, who established a salon that had everyone in society clamoring for an invitation, and her sister Sarah Scott, who set up a female utopian community, to Fanny Burney, the audacious novelist, and Catharine Macaulay, the prestigious English historian. Some rebelled quietly, while others defied propriety with adventurous and scandalous lives. The Bluestockings uncovers how these remarkable women slowly built up an eviscerating critique of the patriarchy the world was not yet ready to hear. 40 illustrations.
Einstein’s God: Conversations about Science and the HumanSpirit by Krista Tippett: Drawn from Krista Tippett’s Peabody Award-winning public radio program, the conversations in this profoundly illuminating book reach for a place too rarely explored in our ongoing exchange of ideas–the nexus of science and spirituality. In fascinating interviews with such luminaries as Freeman Dyson, Janna Levin, Parker Palmer, and John Polkinghorne, Krista Tippett draws out the connections between the two realms, showing how even those most wedded to hard truths find spiritual enlightenment in the life of experiment and, in turn, raise questions that are richly, theologically evocative.
Coventry: Essays by Rachel Cusk: Coventry encompasses memoir, cultural criticism, and writing about literature, with pieces on family life, gender, and politics, and on D. H. Lawrence, Françoise Sagan, and Elena Ferrante. Named for an essay in Granta (“Every so often, for offences actual or hypothetical, my mother and father stop speaking to me. There’s a funny phrase for this phenomenon in England: it’s called being sent to Coventry”), this collection is pure Cusk and essential reading for our age: fearless, unrepentantly erudite, and dazzling to behold.
The Journals of Claire Clairmont by Claire Clairmont, Edited by Marion Stocking: Claire Clairmont began her journals in 1814, when she accompanied Shelley and her half-sister, Mary Wollstonecraft Godwin, on their elopement to the continent. She continued to write them until after Byron and Shelley were dead and she was living as a governess with a wealthy family in Moscow. The journals present a detailed and fascinating picture of life with the Shelley family their discovery of the European landscape, wretched days in London dodging bailiffs and bill collectors, happy days of opera and ballet and endless conversations. Our knowledge of the Shelleys’ life in Italy is expanded by this intimate view of the brilliant society of artists, writers, musicians, actors, scholars, revolutionaries, and nobility who were their constant companions. The later entries provide an account of the daily life of an Englishwoman living in Russia during the exciting time of the Decembrist uprising. In The Journals of Claire Clairemont , Stocking has brought together five of Claire’s journals, all that is known of the now-lost Russian journal, and two leaflets of Miscellanea dealing with the years 1828 to 1830. The interruptions in the diaries are bridged by narratives that allow the reader to follow her life, as she develops from an effervescent schoolgirl into a self-possessed, attractive, and talented young woman. Appendices present reviews of theatrical performances seen by Claire and the Shelleys, biographical sketches of the varied personages they knew in Italy, a review by Mary Shelley (1826) describing people and life on the Continent as Claire and the Shelleys saw it, and the text of a manuscript fragment, possibly by Claire, containing thinly disguised romantic portrayals of the Shelleys and Jane and Edward Ellerker Williams. There is also a list of Claire’s voluminous and systematic reading.
A History of Women in the West: From Ancient Goddesses to Christian Saints edited by Georges Duby and Michelle Perrot: This volume brings women from the margins of ancient history into the fore. It offers fresh insight into more than twenty centuries of Greek and Roman history and encompasses a landscape that stretches from the North Sea to the Mediterranean and from the Pillars of Hercules to the banks of the Indus. The authors draw upon a wide range of sources including gravestones, floor plans, papyrus rolls, vase paintings, and literary works to illustrate how representations of women evolved during this age. They journey into the minds of men and bring to light an imaginative history of women and of the relations between the sexes.
Poetry:
Paper Boat: New and Selected Poems, 1961-2023 by Margaret Atwood: Tracing the legacy of Margaret Atwood—a writer who has fundamentally shaped the contemporary literary landscapes—Paper Boat assembles Atwood’s most vital poems in one essential volume. In pieces that are at once brilliant, beautiful, and hyper-imagined, Atwood gives voices to remarkably drawn characters—mythological figures, animals, and everyday people—all of whom have something to say about what it means to live in a world as strange as our own. “How can one live with such a heart?” Atwood asks, casting her singular spell upon the reader, and ferrying us through life, death, and whatever comes next. Walking the tightrope between reality and fantasy as only she can, Atwood’s journey through poetry illuminates our most innate joys and sorrows, desires and fears.
Self-Love for Small-Town Girls by Lang Leav: As women, we create lives with our bodies but often do not have autonomy over our own. We create worlds with our words yet struggle to be heard. Collectively, we yearn for the right to be treated with compassion and equity in our public and private spaces. The path to self-love is seldom a smooth one, especially for those who have further to travel. Self-Love for Small Town Girls is a book for anyone seeking the best and brightest version of themselves. Spanning decades of growth through self-analysis and introspection, Self-Love for Small Town Girls is Lang’s most personal and stunning collection to date.
2am Thoughts by Makenzie Campbell: The poetry of 2am Thoughts condenses an entire relationship with its untamed emotions and experiences to a single day. As the long hours of the night drag on, so does the love, heartache, and loss. When the dawn breaks, the morning sun brings acceptance, healing, and recovery.
The Silence Now: New and Uncollected Early Poems by May Sarton: The title of [Sarton’s] luminous new verse collection alludes to its underlying theme: old age. It’s a time when she has ‘more of everything to care for, to maintain.’ Her powers of observation have deepened: a cat’s footfall on the stairs ‘speaks of an eternal Now.’ In a beautifully simple language shorn of all artifice, she speaks directly and with wisdom about grief, loneliness, death, coming to terms with one’s life.
Swinburne: Selected poetry and prose by Algernon Swinburne: Apparently there is no synopsis or discussion on the book anywhere on the internet???
Selected Poems of W. H. Auden by W. H. Auden, edited by Edward Mendelson: This significantly expanded edition of W. H. Auden’s Selected Poems adds twenty poems to the hundred in the original edition, broadening its focus to better reflect the enormous wealth of form, rhetoric, tone, and content in Auden’s work. Newly included are such favorites as “Funeral Blues” and other works that represent Auden’s lighter, comic side, giving a fuller picture of the range of his genius. Also new are brief notes explaining references that may have become obscure to younger generations of readers and a revised introduction that draws on recent additions to knowledge about Auden. As in the original edition, the new Selected Poems makes available the preferred original versions of some thirty poems that Auden revised later in life, making it the best source for enjoying the many facets of Auden’s art in one volume.
Aug 9—Fog by Kathryn Scanlon: Fifteen years ago, Kathryn Scanlan found a stranger’s five-year diary at an estate auction in a small town in Illinois. The owner of the diary was eighty-six years old when she began recording the details of her life in the small book, a gift from her daughter and son-in-law. The diary was falling apart–water-stained and illegible in places–but magnetic to Scanlan nonetheless. After reading and rereading the diary, studying and dissecting it, for the next fifteen years she played with the sentences that caught her attention, cutting, editing, arranging, and rearranging them into the composition that became Aug 9–Fog (she chose the title from a note that was tucked into the diary). “Sure grand out,” the diarist writes. “That puzzle a humdinger,” she says, followed by, “A letter from Lloyd saying John died the 16th.” An entire state of mourning reveals itself in “2 canned hams.” The result of Scanlan’s collaging is an utterly compelling, deeply moving meditation on life and death. (NKP: I thought this was a work of nonfiction, but Goodreads classifies it as poetry)
A Rebellion of Care: Poems and Essays by David Gate: Something isn’t right. Every generation thinks that, but we have more cause than most. The way our society has been constructed is just not good for our bodies, nor our minds, nor our hearts. What possible chance do our souls have? Yet, amidst all of this, there is an unwavering desire to embrace life in all its facets. In his debut collection, popular Instagram writer David Gate inspires us to rally for what makes life worth creating art as a form of care, living beyond consumer impulse, loving our neighbors (even the weird ones), and more. This book invites readers to ponder the complexities of self, community, love, and resilience. Rejecting the notion that despair and positivity are our only available responses, Gate urges readers to foster deep friendships that challenge social orders and embrace questions of meaning and purpose. For, in his words, “saying something true in a world awash with lies is the first act of rebellion. (NetGalley ARC)
The Smallest God Who Ever Lived: Poetry of heartbreak, identity, and divine obsession by Thanh Dinh: The Smallest God Who Ever Lived is a searing, poetic journey through the fractured edges of the human spirit. In this haunting and lyrical collection, Thanh Dinh explores the soft devastation of grief, the raw intimacy of longing, and the fragile beauty of perseverance in a world that rarely offers sanctuary. Rooted in existentialist thought and aching vulnerability, these poems trace the quiet violence of living—of loving deeply, of being forgotten, of holding on to hope when everything else is slipping away. Dinh’s verse lingers in the silences, finds grace in the broken spaces, and breathes light into the darkest corners of the self. At the core of this collection is the idea that we become gods in our survival—not grand or omnipotent, but small, trembling gods of memory, emotion, and love. The voice here is both wounded and reverent, What does it mean to keep going when the world keeps burning? This is not just a book of poems; it is a prayer for the lost, a ballad for those who’ve endured, and a gentle anthem for those who still believe something soft and sacred remains. (NetGalley ARC)
Major Voices: 19th Century American Women’s Poetry edited by Shira Wolosky: There are a number of anthologies of nineteenth-century American women poets in print, but these tend to offer a very small sample of poems from a very large number of writers, often based around a specific topical concern. The Toby anthology, compiled and edited by Professor Shira Wolosky, will instead present a substantial number of texts by a select group of poets – focusing in depth on the major voices of that time. This anthology will thus allow the reader the opportunity to engage more deeply with the poetry; to see the range within each poet’s writings, and the relation among the poets. An introductory essay will identify central concerns, historical backgrounds, evolving patterns and poetic issues, as marked through the course of the century. The work of these poets provides a gripping view of the creativity of nineteenth-century American women that has been until recently almost entirely lost to literary history. Supremely relevant to today’s readers, this is poetry that began the efforts at the redefinition of self, of America, and of womanhood that continues to touch the lives and thoughts of so many today. The poets Lydia Sigourney, Julia Ward Howe, Francis Harper, Helen Hunt Jackson, Emily Dickinson, Alice & Phoebe Carey, Ella Wheeler Wilcox, Emma Lazarus and Charlotte Gilman.
There are books you love, and then there are books that become a part of you, that you pick up over and over because you want to hold them, because you want to feel their weight and touch the pages covered in the words that mean so much to you. The covers are soft, ragged-edged and worn because you have read these books again and again, from cover to cover, or from wherever you opened them at that moment. You read to the end, or just a paragraph, pages maybe, or a single line. You know the words, but each time you read them they reverberate within you as though a bell has rung in your heart.
We all have favorite books, but what are your all-time favorites? The ones that have a special shelf all their own, the ones that you would choose to pack and be perfectly happy reading over and over on a deserted island if you were to happen to find yourself in such a situation with unlimited reading time, but, alas, a limited library? Here, friends, are my all-time favorite novels: (all photos found on Google)
Jane Eyre by Charlotte Brontë: If I was told I had to choose just one book, only one, one single, solitary favorite, Jane Eyre would be it. …maybe. (Letters from Westerbork is a close runner up, barely a fingertip’s distance behind in the race to the book I won’t live without. More on this book in a later post) I have six copies of Jane Eyre, plus a graphic novel. I have books inspired by Jane Eyre: Rebecca by Daphne du Maurier, Jean Rhys’ Wide Sargasso Sea, and A Girl Walks Into a Book: What the Brontës Taught Me about Life, Love, and Women’s Workby Miranda K. Pennington, and have read several others. I own three versions of the film, and if you ask me who the sexiest Rochester is, Orson Welles, Ciaran Hinds, or William Hurt, my answer is yes. (NKP: the day after I drafted this post, I discovered Jane & Edward: A Modern Reimagining of Jane Eyre by Melodie Edwards at Dollar Tree. Yes, I bought it.)
I first read Jane Eyre when I was in my early twenties; I don’t recall what made me pick it up at the library, though I do recall remembering that it was referenced in Daddy-Long-Legs. I supposed if Jean Webster liked it, I might as well give it a go. To say I loved it would be an understatement. I read it twice in the two weeks I had it checked out, and renewed it. Jane is such a powerful character, not only in the way that nineteenth century literary heroines were, but as a real person: she is flawed, angry, spiteful, willful; she is bitter about the injustices handed to her and dreams of love and happiness. And she is fiercely intelligent and believes in herself and what she deserves. Add in a curmudgeonly, brooding, love-struck-though-deceitful leading man and a madwoman in the attic (literally) and you have a perfect recipe for an amazing Gothic novel. (I will admit it does drag in one particular area, but I am willing to overlook that in favor of the rest of the book.)
Next, Ahab’s Wife by Sena Jeter Naslund. This is a truly gorgeous story, full of color, sound, texture, and life. Una Spenser is a character very like Jane Eyre: intelligent, passionate about life, seeking knowledge and truth. She makes mistakes, she redeems herself and others, she reinvents herself as she needs to. She suffers loss, heartbreak, abandonment, and literal shipwreck, and she soars like the eagles she observes from her lighthouse tower. Naslund writes real people into her narrative: artist and mathematician Phebe Folger, astronomer Maria Mitchell, and writer and activist Margaret Fuller, and pulls in the narrative of the 1820 wreck of the whaling ship Essex. You could try to call this a companion novel to Moby Dick, but that would be doing this book a disservice: Melville doesn’t even give Ahab’s wife a name; Naslund gives her a vibrant, beautiful life.
The third book on my “I-could-probably-live-without-but-don’t-want-to-try” list is The Dovekeepers by Alice Hoffman. Alice Hoffman is one of my favorite writers. I don’t bother to request her new books from the library, I just buy them. She is that good. The Dovekeepers brings readers to the final years of the Jewish stronghold of Masada during the Roman conquest of, well, everywhere. Told through the voices of four women, this book transcends time. You ask yourself what you would do for love. When faced with what could potentially be the end of forever, how would you approach each day? What would you do to see another sunrise? What spells would you weave, what histories would you make up for your listeners? Historians and archeologists are divided on what really happened at the fall of Masada in 74 AD; Flavius Josephus claimed that the Romas held the citadel siege for years, and finally entered to find the bodies of over 900 Jewish “rebels” (is one a rebel for wishing to live your life as a free person instead of a slave?); archeologists have found evidence to show that the siege may have lasted only weeks, and no evidence of mass murder/suicides. The ghosts of Masada keep their secrets, and Yael, Revka, and Yonah keep theirs.
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And finally, A Tree Grows in Brooklyn by Betty Smith. I have read and reread this beautiful coming of age story so much that pages are falling out. I had to put a rubber band around it when Bestie asked to borrow it so pages wouldn’t get lost. (I bought her a beautiful hardcover edition for Christmas) Readers meet Francie when she is eleven, and spend six years alongside her in the tenements of Williamsburg, Brooklyn. We see her striving for her distant, hardworking mother’s approval, never understanding that her mother would quite literally kill for her children if need be; we see her unwavering love for her deeply flawed, charming, devil-may-care father; we browse library bookshelves with her as she dreams of reading all of the books in her small world; we see her dreams and determination, her love of learning and her wish to fly free and discover a world away from poverty. To say this book is a heartening, wholesome story feels a little twee, but this really is the best way to describe it. It makes you laugh, it makes you cry, and it makes you appreciate all that you have. (As an aside, this book was hugely popular with soldiers stationed overseas during WW2; Betty Smith said she received more fan mail from soldiers than civilians regarding this book.) The 1945 film cuts out much of the novel, but keeps the heart of the story, and I highly recommend watching it (after you read the book, of course).
This has been a monster of a post, which is why I have broken it into two parts. Leave a comment with your favorite novels; I’ll definitely check them out!
Somehow it is March. This month will see the change of the season as we finally (!) move into spring. It is the season of new beginnings, growth, and change. I can’t wait!
I feel as though February left me scrambling. I didn’t accomplish any of my goals for the month and made zero progress on any of my projects. I did write to some new people for InCoWriMo that I want to keep in touch with (March goal 1: keep up with my correspondence) and I finished my February TBR list as well as a couple extra books. (March goal 2: write and post review of TBR books as I finish them)
I am a little disappointed that I didn’t make any progress on my professional or personal goals, but I have decided to give myself some grace. I have wasted far too many years being angry with myself for not being perfect and doing everything I feel I am “supposed” to do. Why should I feel that I am less than if I do not do everything perfectly? (Childhood trauma does great things to your mind, let me tell you) At almost fifty I can finally look at myself in the mirror and say, “You are good enough.” My poor husband has been telling me this for over twenty years. The man is a saint.
So, March has arrived, and I am starting fresh. Didn’t make February’s goals? Try again. I have my calendar blocked out with projects, and my book club, self-care days, and things that I like to do. (March goal 3: Sunday afternoon walks. Does this make me old? I mean, I am almost fifty…) My word for the month is “Nurture” and I intend to. I will nurture my talent, my soul, and myself.
My March TBR reflects this, not with self-help books (which I love to read, by the way; the authors are all so nice. …I never take their advice…) but in observing Women’s History Month. This country is a dumpster fire—give me strong intelligent women for guidance and inspiration! On this month’s TBR is…
So Here I Am: Speeches by Great Women to Empower and Inspire by Anna Russell: So Here I Am brings together empowering speeches by women throughout history up to the present day. This is a celebration of women speaking up; within politics, science, human rights, TV and media – discussing everything from free love, anti-war, discoveries, race, gender and women’s rights. With evocative and powerful illustrations from Brazilian artist, Camila Pinheiro, this anthology of great women – whose own achievements speak for themselves – is timely and important. This shot of inspiration serves as a reminder that despite all adversity, nevertheless, she persisted. Speakers include: Sojourner Truth; Marie Curie; Emmeline Pankhurst; Helen Keller; Sylvia Rivera; Manal Al Sharfi; Malala Yousafzai; Michelle Obama; Alicia Garza.
Spinning Straw into Gold:What Fairy Tales Reveal About the Transformations in a Woman’s Life by Joan Gould: What’s your favorite fairy tale? Whether it’s “Cinderella,” “Beauty and the Beast,” “Hansel and Gretel,” or another story, your answer reveals something significant about you, your experiences, and your soul. In this penetrating book, Joan Gould brings to the surface the hidden meanings in fairy tales and myths, and illuminates what they can tell you about the stages in your own life. As Gould explores the transformations that women go through from youth to old age–leaving home and mother, the first experience of sexuality, the surprising ambivalence of marriage, the spiritual work required by menopause and aging–her keen observations will enrich your awareness of your inner life. Full of archetypal figures known to us all, Spinning Straw into Gold also includes stories from the lives of ordinary women that clarify the insights to be gained from the beloved tales that have been handed down from one generation to the next.
Queens of a Fallen World: The Lost Women of Augustine’s Confessions by Kate Cooper: While many know of Saint Augustine and his Confessions, few are aware of how his life and thought were influenced by women. Queens of a Fallen World tells a story of betrayal, love, and ambition in the ancient world as seen through a woman’s eyes. Historian Kate Cooper introduces us to four women whose hopes and plans collided in Augustine’s early adulthood: his mother, Monnica of Thagaste; his lover; his fiancée; and Justina, the troubled empress of ancient Rome. Drawing upon their depictions in the Confessions, Cooper skillfully reconstructs their lives against the backdrop of their fourth-century society. Though they came from different walks of life, each found her own way of prevailing in a world ruled by men. A refreshingly complex and compelling portrait of Augustine, Queens of a Fallen World is the riveting story of four remarkable women who set him on course to change history. (NKP: I’m not particularly interested in Augustine, but the women that made him who he was deserve to be known)
Earth Worship: A Woman’s Philosophical & Spiritual Connection to Our Wild World by Linda Blackmoor: Earth Worship weaves together the ancient threads of feminine wisdom, deep ecological philosophy, and the transformative magic of spirituality to guide readers on a profound journey of reconnection with the Earth. It is an ode to the enchanting and intricate relationship between women and the natural world, a bond that is both sacred and essential for our collective healing and enlightenment. It is a call to awaken to the divine feminine energy that flows through all of life, urging us to reclaim our rightful place as guardians and nurturers of our planet. Earth Worship delves into the heart of nature’s mysteries, offering a rich tapestry of stories, rituals, and reflections that illuminate the spiritual and philosophical pathways through which women can forge a deeper, more meaningful connection with the natural world. Drawing on the wisdom of ancient cultures, the insights of modern ecological thought, and the timeless teachings of the Earth itself, this book serves as a compass for those seeking to navigate the complexities of modern life while staying rooted in the profound truths that nature imparts. It is not merely a book to be read; it is an experience to be lived, a journey to be undertaken with an open heart and a willing spirit, ready to be transformed by the profound lessons that only the Earth can teach. (Synopsis from Amazon.com)
Woman’s Lore: 4,000 Years of Sirens, Serpents, and Succubi by Sarah Clegg: Demonic temptresses – from siren-mermaids to Lilith – are well known today, and their mythology focuses around the seductive danger they pose to men. But the root of these figures can be traced back 4,000 years and in their earliest incarnations they were in fact demons worshipped and feared like Lamashtu, the horrific talon-footed, serpentine monster, who strangled infants and murdered pregnant women, or the Gello, the ghost of a girl who had died a virgin and so killed expectant mothers and their babies out of jealousy. This history of a demonic tradition from ancient Mesopotamia to the present day – from Lamashtu and Gello, to Lamia and Lilith, and mermaids and vampires – shows how these demons were co-opted by a male-centered society, before being recast as symbols of women’s liberation. We also learn what this evolution can tell us about the experience of women and the danger of childbirth, changing attitudes towards sexuality and the movement for women’s rights.
She-Merchants, Buccaneers & Gentlewomen: British Women in India by Katie Hickman: Women made their way to India for exactly the same reasons men did – to carve out a better life for themselves. In the early days, India was a place where the slates of ‘blotted pedigrees’ were wiped clean; bankrupts given a chance to make good; a taste for adventure satisfied – for women. They went and worked as milliners, bakers, dress-makers, actresses, portrait painters, maids, shop-keepers, governesses, teachers, boarding house proprietors, midwives, nurses, missionaries, doctors, geologists, plant-collectors, writers, travelers, and – most surprising of all – traders. As wives, courtesans and she-merchants, these tough adventuring women were every bit as intrepid as their men, the buccaneering sea captains and traders in whose wake they followed; their voyages to India were extraordinarily daring leaps into the unknown. The history of the British in India has cast a long shadow over these women; Memsahibs, once a word of respect, is now more likely to be a byword for snobbery and racism. And it is true: prejudice of every kind – racial, social, imperial, religious – did cloud many aspects of British involvement in India. In this landmark book, celebrated chronicler, Katie Hickman, uncovers stories, until now hidden from history: here is Charlotte Barry, who in 1783 left London a high-class courtesan and arrived in India as Mrs William Hickey, a married ‘lady’; Poll Puff who sold her apple puffs for ‘upwards of thirty years, growing grey in the service’; Mrs Hudson who in 1617 was refused as a trader in indigo by the East Indian Company, and instead turned a fine penny in cloth; Julia Inglis, a survivor of the siege of Lucknow; and Flora Annie Steel, novelist and a pioneer in the struggle to bring education to purdah women. (All book synopses and photos from Goodreads.com unless otherwise noted) There you have it! My sister and I will also be finishing The Woman They Could Not Silence by Kate Moore this month. This “Sister Read” went by much faster than the last; granted, it is a smaller book, but it also reads really quickly. It is also extremely relevant to present circumstances in the US. Which is appalling, as the events in this book took place in the 1860s. It reiterates the fact that history does repeat itself, and if we do not learn from the past there will be no future.
Slightly delayed, but we are still in January for about eight more hours, so…Goodreads Challenge update!
Last year I managed to beat my goal of 145 books, finishing at 152. This year I have set a goal of 150 books. I have completed nine so far, seven of which were poetry eBooks with an average of 150 pages, give or take. I have some hefty books on my planned TBRs for the next few months, March especially, so we’ll see how quickly I get through them. I am a fast reader naturally, but I do not just breeze through a book for the sake of getting it finished. I do take the time to read thoughtfully and make notes or copy things into my Commonplace Book. Many of my nonfiction books look like little porcupines with sticky tab quills.
My reading time will also be slightly reduced as I am setting aside time in the evenings to write because my poetry manuscript is not going to finish itself (though it would probably require far less editing if it did). How is it that something that sounds so meaningful when you first write it sounds like a four year old telling a story when you go back and read it a week later? I mean no disrespect to four year olds: my Finch is an excellent storyteller. His Mόraί, on the other hand, is a slightly off-kilter poet.
I recently shared a post about my February TBR, so I won’t review it here. My March reading list will be in the theme of Women’s History Month. Sister and I are expecting to have TWTCNS finished by late March, and we have chosen one of the books on my TBR to be our next Sister Read.
February is fast approaching and I’m thinking about books! I didn’t finish my January TBR as of this writing, and I will not unless I stay home and do nothing but read for the next three days (one can dream), so I will have to move those books to another month, or the end of February is there is time. Ordinarily I would just move the books to the following month, but I placed my February library orders last week based off random picks from page 124 of my Goodreads list and all of them have come in already! Thanks CWMARS, you’re the best!
Here is my February TBR (all synopses from Goodreads.com, per usual):
Microjoys by Cyndie Spiegel: Microjoys are a practice of uncovering joy and finding hope at any moment. They are accessible to everyone, despite all else . When we hone the ability to look for them, they are always available. Microjoys are the hidden wisdom, long-ago memories, subtle treasures, and ordinary delights that surround A polka-dot glass on a thrift store shelf. A dear friend’s kindness at just the right time. The neighborhood spice shop. A beloved family tradition. The simple quietude of being in love. A cherished chai recipe. Cyndie Spiegel first began taking note of microjoys during the most difficult year of her life—when she experienced back-to-back unprecedented and devastating losses—and she found that these fleeting moments of hope helped her move through each day with a semblance of comfort and a lot more joy. Through beautifully written narrative essays and prompts, Cyndie shares the microjoys that have kept her going through tough times and shows us how we can learn to see the microjoys in our own lives. Microjoys don’t change the truth of loss or make grief any more convenient, but they allow us to temporarily touch joy, keeping us buoyed and moving forward, one moment at a time.
The Unmaking of June Farrow by Adrienne Young: In the small mountain town of Jasper, North Carolina, June Farrow is waiting for fate to find her. The Farrow women are known for their thriving flower farm—and the mysterious curse that has plagued their family line. The whole town remembers the madness that led to Susanna Farrow’s disappearance, leaving June to be raised by her grandmother and haunted by rumors. It’s been a year since June started seeing and hearing things that weren’t there. Faint wind chimes, a voice calling her name, and a mysterious door appearing out of nowhere—the signs of what June always knew was coming. But June is determined to end the curse once and for all, even if she must sacrifice finding love and having a family of her own. After her grandmother’s death, June discovers a series of cryptic clues regarding her mother’s decades-old disappearance, except they only lead to more questions. But could the door she once assumed was a hallucination be the answer she’s been searching for? The next time it appears, June realizes she can touch it and walk past the threshold. And when she does, she embarks on a journey that will not only change both the past and the future, but also uncover the lingering mysteries of her small town and entangle her heart in an epic star-crossed love.
Lies We Sing to the Sea by Sarah Underwood: Each spring, Ithaca condemns twelve maidens to the noose. This is the price vengeful Poseidon demands for the lives of Queen Penelope’s twelve maids, hanged and cast into the depths centuries ago. But when that fate comes for Leto, death is not what she thought it would be. Instead, she wakes on a mysterious island and meets a girl with green eyes and the power to command the sea. A girl named Melantho, who says one more death can stop a thousand. The prince of Ithaca must die—or the tides of fate will drown them all.
By Any Other Name by Jodi Picoult (I do own this one as an eBook): Young playwright Melina Green has just written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. But seeing it performed is unlikely, in a theater world where the playing field isn’t level for women. As Melina wonders if she dares risk failure again, her best friend takes the decision out of her hands and submits the play to a festival under a male pseudonym. In 1581, young Emilia Bassano is a ward of English aristocrats. Her lessons on languages, history, and writing have endowed her with a sharp wit and a gift for storytelling, but like most women of her day, she is allowed no voice of her own. Forced to become a mistress to the Lord Chamberlain, who oversees all theatre productions in England, Emilia sees firsthand how the words of playwrights can move an audience. She begins to form a plan to secretly bring a play of her own to the stage—by paying an actor named William Shakespeare to front her work.
Only four on the planned list—February is a little month, after all. All of these books are new to me; if you’ve read any, let me know what you thought! I will also be continuing to read The Woman They Could Not Silence with my sister, and Margaret Atwood’s Paper Boats if I finish my planned four before the end of the month. I picked up an autographed copy while out on a Sister Day last fall. We have another one coming up next week in Portsmouth, NH, I can’t wait!
Books I’m trying to wrap up by the end of the week are Ezra Pound’s Literary Essays and Virginia Woolf’s Writer’s Diary. Woolf’s diary is a bit of a slog, and her overt classicism overshadows the interesting and valuable points she makes about writing. I am very torn about reading Ezra Pound. He makes brilliant statements about the craft of writing, but his background makes me wish these were written by someone else. Last year I listened to a podcast that discussed if it is okay to appreciate work created by terrible people; the author was speaking of a musician whose work she loved, but as she became an adult and learned about what kind of person he was, listening to his music made her question her own morals. I feel the same way about my books by Marion Zimmer Bradley. She was a brilliant wordsmith and created a realm of fantasy that I spent many wonderful hours wandering, but she was a vile person. Ezra Pound’s background is equally upsetting.
A 2021 article from The New York Times, written by Jennifer Finney Boylan addresses the question of whether one can separate the art from the artist, and I do feel it is a weighty question. (https://www.nytimes.com/2021/11/03/opinion/music-pop-culture-justice.html) Disturbingly, we are seeing more and more creatives being held up for unacceptable behavior; I fail to understand why anyone thinks they are above the rules of law and common decency. But this is not what this post is about. This is about the fact that I am reading essays by Ezra Pound, and while his personal beliefs give me the ick, he was a gifted writer, and I appreciate his work.
What are you planning to read in February? Have you read any of these books? Let me know! Stay well, be blessed, and I’ll be back soon.
Hello Friends. I hope you have all been well. As usual I have left my poor blog to languish while I navigate life. My hope is to be here much more regularly and I have all kinds of ideas for future posts. This isn’t a proper post, just a quick check in to say hello and share the books I plan to read this month. I don’t have a big list this month, and in keeping with the upcoming holidays they are holiday and winter themed. I’ve jumped on the “reading ghost stories at Christmas” theme with an Isak Dinesen collection. (I never knew that was a thing)
Anyway, in no particular order: The Quiet Little Woman by Louisa May Alcott; Old Christmas by Washington Irving; The Old Magic of Christmas by Linda Raedisch; The Glass Wonan by Caroline Lea; and Winter’s Tales by Isak Dinesen. I may also reread a very sweet family favorite picture book called The Yule Tomte and the Little Rabbits by Ulf Stark.