This was an interesting book; I requested it out of curiosity as manifestation has been a pretty big topic of discussion on social media sites, so I figured I would take a look. While I enjoyed reading it, I don’t think the subject is anything I can quite relate to. This book is well-written and a good guide for beginners that are willing to take the time to approach manifestation with the attention it requires; I am not that person. I think I will come back to this though. It has definitely piqued my interest.
This book is absolutely priceless! The prompts had me giggling and reaching for my pen before I even finished reading it. Some are thought-provoking, some lighthearted, and others laugh-out-loud funny, so much so that I started reading it out loud to my family and we all began plotting mini stories. I received it as an eBook, but I will be buying a hard copy to add to my writing books. This is a wonderful resource for anyone that writes, is thinking about writing, or for any creative mind, really. The prompts invite you to think about things on the slant, and anyone will benefit from that.
The masterly Natalie Haynes has gifted us with another incredible work of brilliance. I do not know if this is intended to be a companion book to her 2020 book Pandora’s Jar, but as I own both of them, I’ll continue to read them together. Her examination of female dramatis personae in Greek myth offers valuable insight to the realm of women’s studies and classical studies (and to anyone who just happens to like reading about mythology and women’s literature like yours truly). Haynes presents each chapter almost as an autobiography of the Goddess in question, discussing Her connection and relevance to women both past and present. As a Dianic Pagan, the Goddess of the Greek and Roman pantheon are not mere figures of legend to me but a part of my spiritual practice. The Goddess Hestia figures largely in my devotions, and I was delighted to find Her included in this study as She is often overlooked for more glamorous figures. Haynes gives us a different view of the Goddesses and their mythological actions; she reprises their roles in ancient society and offers them to us in relation to modern women’s issues and challenges. I have been a fan of Natalie Haynes since I first read her novel A Thousand Ships. Her fiction is spectacular, and her nonfiction works are peerless.
Let me begin by saying that I love winter…when I am tucked away under a blanket with a stack of books, a pot of tea, William Ackerman playing on the stereo, and my cat purring by my feet. If I need to leave my cocoon of comfort and brave the eye-searing, nose-pinching cold, I hate winter. Nancy Campbell’s lovely collection is the perfect book to enjoy whether you enjy winter from beneath pounds of blankets (guilty) or out bounding through the exhilarating, invigorating fresh air (my husband’s words).
In this volume Campbell has collected excerpts from the works of Sei Shonagon, Charlotte Bronte and Walt Whitman, US Poet Laurate Joy Harjo, the letters of Vincent van Gogh, diarist Dorothy Wordsworth, Darwin’s journals, the Quran, and Kenneth Grahame, to name just a handful. I am reluctant to refer to this collection as cozy; that implies it is something light, somewhat frivolous. Instead, this is a collection of literary works that expand your mind and steep your senses in the sensations of the season. However, it is imbued with the feeling of tranquility; it makes you want to pour a mug of something warm and settle in to enjoy a quiet winter’s evening. (I followed Campbell’s book with Isak Dinesen’s Winter Tales; I highly recommend reading the two together)
Nancy Campbell’s Nature Tales for Winter Nights is a book I will keep in rotation for seasonal reading. It is a perfect winter book, or summer book if you find yourself wilting in the heat longing for the winds of winter.
Editor Shilo Niziolek has curated a collection of poetry, prose, and artwork that is a choir of voices. Each piece is as carefully selected as a soloist in an opera, showing readers a look into each contributor’s imagination. Readers walk through realms of experience and vision. Each piece made me think of wandering a house of many doors, stepping into a new world of thought with the turn of a knob. This is Scavengers 1.2; I am looking forward to 1.3.
This is the Mask 